Bibliography
Alley, Ronald, William Scott (London, 1962)
Alley, Ronald, British Painting since 1945 (London, 1966)
Alloway, Lawrence (ed.), Nine Abstract Artists, their Work and Theory (London, 1954)
Appleyard, Brian, The Pleasures of Peace. Art and Imagination in Postwar Britain (London, 1989)
Bowness, Alan, William Scott (London, 1964)
Bowness, Alan (ed.), William Scott: Paintings Drawings and Gouaches 1938–71 (exhibition catalogue: Tate Gallery, London, 1972)
Brown, David, St Ives 1939–64 (exhibition catalogue: Tate Gallery, London, 1985)
Buckle, Richard, ‘Variations on a theme of Titian’, Art & Artists (August & September, 1971)
Cariou, André, Les Peintres de Pont-Aven (Rennes, 1994)
Compton, Susan (ed.), British Art in the 20th Century, The Modern Movement (exhibition catalogue: Royal Academy, London and Munich, 1986)
Crosby, Theo, ‘William Scott’, Architectural Design (June, 1957)
Endlich, Stefanie and Rainer Höynck (eds), Blickwechsel, 25 Jahre Berliner Künstlerprogramm (Berlin, 1988)
Flanagan, Terence P., ‘The Drawings of William Scott’, The Arts in Ireland (vol. 1, no.3, 1973)
Fried, Michael, ‘New York Letter’, Art International (vol. VII, no. 4, April, 1963)
Garlake, Margaret, New Art, New World: British Art in Postwar Society (London and
New Haven, 1998)
Garlake, Margaret (ed.), Artists and Patrons in Post-War Britain (Aldershot, 2001)
Gayford, Martin, ‘An Interview with Patrick Heron’ in Patrick Heron (exhibition
Catalogue: Tate Gallery, London, 1998)
Gooding, Mel (ed.), Painter as Critic – Patrick Heron: Selected Writings (London, 1998)
Heron, Patrick, Space in Colour (exhibition catalogue: The Hanover Gallery, London, 1953)
Heron, Patrick, The Changing Forms of Art (London, 1955)
Heron, Patrick, ‘The Ascendancy of London in the Sixties’, Studio International (December, 1966)
Heron, Patrick, ‘A Kind of Cultural Imperialism’, Studio International (February, 1968)
Heron, Patrick, ‘William Scott’, Modern Painters (vol. 2, no.4, Winter, 1990–91)
Heron, Patrick, ‘Painting in the Fifties’, in Art in the Fifties: Art from the British
Council Collection (exhibition catalogue: British Council, London, 1998)
Hewison, Robert, Culture and Consensus. England, Art and Politics Since 1940 (London, 1995)
Hodin, J.P., ‘Der figurative Stil von William Scott’, Werk (July, 1960)
Hughes, Henry Meyric and Gijs van Tuyl (eds), Blast to Frieze. British Art in the 20th
Century (exhibition catalogue: Kunstmuseum Wolfsburg and les Abattoirs, Toulouse, 2002)
Hyman, James, The Battle for Realism. Figurative Art in Britain During the Cold War, 1945–60 (London and New Haven, 2001)
Irish Museum of Modern Art, William Scott – Paintings and Drawings (exhibition catalogue: Dublin, 1998)
Jenkins, David Fraser and Sarah Fox-Pitt, Portraits of the Artist (exhibition catalogue:
Tate Gallery, London, 1989)
Kennedy, Róisín, ‘Art for the Public: William Scott and F.E. Mcwilliam at Altnagelvin’, Irish Arts Review Yearbook (vol. 18, 2002)
Klepac, Lou (ed.), William Scott: Drawings (New York, 1972)
Kramer, Hilton, ‘British Abstraction Embraced (Never Mind the Revisionists):
British Abstract Painting – Ignored It? We Adored It!’, New York Observer (25 May, 1992)
Levy, Mervyn, ‘William Scott’s Circle and Square’, Studio (vol. CLIV, London, August 1962)
Lynton, Norbert, William Scott (exhibition catalogue: Beaux Arts
Gallery, London, 2000)
Lynton, Norbert, William Scott (London, 2004; 2nd edition 2007)
Mellor, David Allen, The Sixties Art Scene in London (exhibition catalogue: Barbican Art Gallery, London, 1993)
Museum of Modern Art, The New Decade: 22 European Artists and Sculptors (exhibition catalogue: New York, 1955)
O’Brian, John (ed.), Clement Greenberg, The Collected Essays and Criticism (Chicago, 1995)
Pasmore, Victor, ‘What is Abstract Art?’, The Sunday Times (5 February, 1961)
Read, Herbert, Armitage, Hayter, Scott (exhibition catalogue: XXIX
Venice Biennale, 1958)
Read, Herbert, Contemporary British Art (Harmondsworth 1951; revised 1964)
Read, Herbert, A Concise History of Modern Painting (revised edition: London, 1972)
Rothon, Tony, ‘William Scott in Conversation with Tony Rothon’, Studio International (vol. 188, no.972, 1974)
Russell, John, ‘William Scott’, The London Magazine (vol. 1, no.3, June, 1961)
Russell, John, William Scott (exhibition catalogue: The Hanover Gallery, London, 1961)
Sandler, Irving, The Triumph of American Painting (New York, 1979)
Sheehy, Jeanne, The Rediscovery of Ireland’s Past (London, 1980)
Shone, Richard, The Century of Change. British Painting Since 1900 (Oxford, 1977)
Sinfield, Alan, Literature, Politics and Culture in Postwar Britain (Berkeley, 1989)
Solomon, Alan J., The Popular Image (exhibition catalogue: Institute of Contemporary Arts, London, 1963)
Spalding, Frances, British Art since 1900 (London, 1989)
Sylvester, David, ‘Bombergers’, New Statesman and Nation (2 June, 1961)
Tapié, Michel, Un Art Autre (Paris, 1952)
Tate Gallery, The New American Painting (exhibition catalogue: London, 1959)
Tate Gallery, 54:64 Painting and Sculpture of a Decade (exhibition catalogue: London 1965)
Taylor, Basil, ‘The Paintings of William Scott’, Arts (vol. XXXI, New York, November, 1956)
Thompson, David, ‘The Essential Art of William Scott’, The Times (25 May, 1961)
Tooby, Michael, ‘Scott, Lanyon and Rothko’ (Unpublished lecture given at opening of the exhibition 'William Scott – Paintings and Drawings' at Irish Museum of Modern Art, Dublin, 1998)
Ulster Museum, William Scott (exhibition catalogue: Belfast 1986. With essays by Ronald Alley and T.P. Flanagan)
